The Patriot (Special Edition)
 WHEN WIDOWER AND WAR HERO BENJAMIN MARTIN SEES HIS FAMILY VICIOUSLY ATTACKED BY RED COATS, HE CAN NO LONGER AVOID FIGHTING IN THE REVOLUTIONARY WAR. TOEGETHER WITH HIS SON HE FORMS A MILITIA TO TAKE UP ARMS AGAINST THE BRITISH AND SOON IS EMBROILED IN THE REDEMPTION OF REVENGE AND THE PASSION OF LOVE.Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat’s screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop. On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin’s anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin’s eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger’s love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. –Jeff Shannon
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 The MEL GIBSON ULTIMATE COLLECTION presents a triple feature of action films starring the blockbuster actor: BRAVEHEART (1995), PAYBACK (1999), and WE WERE SOLDIERS (2002). See individual titles for plot synopses. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. Mel Gibson Collection [3 Discs] |
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NEW DVD: THE BOUNTY Anthony Hopkins/Mel Gibson
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Braveheart (Special Collector’s Edition)
 Mel Gibson directs and stars in this Academy Award-winning epic based on the life of legendary thirteenth century Scottish hero William Wallace. Returning to his homeland following the death of an heirless king, Wallace (Mel Gibson) finds the political landscape precarious. Edward the Longshanks, King of England (Patrick McGoohan), has captured Scotland’s throne and threatens the freedom of all Scottish people, as tyrannical policies instituted by the English plague the Scots. Initially, Wallace is content to stand by the wayside, yearning for the simple life of building a home and raising a family. However, when the woman he loves (Catherine McCormack) suffers a cruel fate at the hands of English soldiers, Wallace takes a stand against the new rule. With his fierce patriotism and determination, he gathers an amateur but passionately rebellious army. Although this makeshift force may be outnumbered by the English troops, their desperation and love for their land surpass any military maneuvers, as evidenced in the film’s breathtaking battle sequences.A stupendous historical saga, Braveheart won five Oscars, including Best Picture and Best Director for star Mel Gibson. He plays William Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993′s Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. –Rochelle O’Gorman
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 - Full-color Photographs- Web sites- Index- Glossary Mel Gibson |
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Mad Max 1979 Mel Gibson Japanese Movie Poster Postcard
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(out of 921 reviews)
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Mel Gibson’s Apocalypto (Widescreen Edition)
 From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 1995) comes the thrilling historical epic APOCALYPTO. This intense, nonstop action-adventure transports you to an ancient South American civilization, for an experience unlike anything you’ve ever known. In the twilight of the mysterious Mayan culture, young Jaguar Paw is captured and taken to the great Mayan city where he faces a harrowing end. Driven by the power of his love for his wife and son, he makes an adrenaline-soaked, heart-racing escape to rescue them and ultimately save his way of life. Filled with unrelenting action and stunning cinematography, APOCALYPTO is an enthralling and unforgettable film experience.’Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters–many of whom don’t survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose his well-established fascination with bodily mortification in a litany of assaults including impalement, evisceration, snakebite, and bee stings. It’s a dark, disgusted vision, but Gibson doesn’t forget to apply some very canny moviemaking instincts to the violence–including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife’s mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he’s doing. –Robert Horton Beyond Apocalypto
Stills from Mel Gibson’s Apocalypto (click for larger image)
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 HE’S A HOLLYWOOD SUPERSTAR . . .A CONTROVERSIAL FILM DIRECTOR . . .ONE OF THE SEXIEST MEN ALIVE (AT LEAST ACCORDING TO PEOPLE MAGAZINE) . . .AND NOW MEL GIBSON WANTS TO HELP YOU BE ALL YOU CAN BE! When Mel Gibson wakes up in jail after being arrested for DUI, he doesn’t quite remember what happened the night before, but he’s not worried. After all, he’s Mel Gibson! Whatever he might have said or done, he’s confident it will all blow over. Because if there’s one thing Mel knows for sure, it’s how to live the charmed life he so richly deserves! And since Mel has a couple of hours to kill before his lawyers show up, he’s decided to share his secrets of happiness with you mere mortals. Here you’ll find Mel’s exclusive tips for career success, romance, keeping fit, facing your fears, money matters, and even surviving a nuclear apocalypse! With a foreword by Jesus Christ Himself and an appendix of Mel’s favorite cocktails (like the Tequila Sunrise: Take one bottle of tequila, drink ’til sunrise), this is the definitive guide to living the good life, Mel Gibson-style. (This book is not in any way affiliated with or authorized by the real Mel Gibson. Or Jesus Christ, for that matter.) Mel Gibson Guide to the Good Life |
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"MEL GIBSON:MAD MAX"1985 VINTAGE MOVIE PHOTO STILL L320
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Mel Gibson Audio Tape #2 – Threatens to KILL Girlfriend
MAKE SURE YOU LISTEN TO THE VERY END! Mel Gibson, under investigation for domestic violence, admits to hitting Oksana Grigorieva and TWICE threatens to kill her in this SECOND explosive new audio tape. NEVER MISS A NEW VIDEO: Twitter: www.twitter.com MySpace: www.myspace.com FaceBook: tiny.cc |
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 Short and simple is what makes this hairstyle great for those busy people. The sides and back are cropped short for a neat finish to the edges while the top is jagged cut to add height and texture to the over-all look. Mel Gibson |
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 Mel Gibson’s Apocalypto (Widescreen Edition)  From Mel Gibson, director of THE PASSION OF THE CHRIST and the Academy Award®-winning BRAVEHEART (Best Director, Best Picture, 19… |
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PAYBACK PRESS KIT W/4 PHOTOS MEL GIBSON
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Edge of Darkness [Blu-ray]
The bullet that killed his daughter was meant for Boston cop Thomas Craven. That’s what police brass and Craven himself think, but that’s not what the investigation finds. Clue after clue and witness after witness, the search leads him into a shadowy realm where money and political intrigue intersect. If Craven wasn’t a target before, he – and anyone linked to his inquiry – now is. Mel Gibson stars in his first screen lead in eight years, making Craven’s grief palpable and his quest for payback stone-cold and relentless. Martin Campbell (Casino Royale) directs from a screenplay co-written by The Departed’s William Monahan. Gibson is back, taking us to the edge…and into the sinister darkness.The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he’s grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted “Craven!” and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved yet scarcely knew, he discovers she’d been preparing to turn whistleblower on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly–in Craven’s backyard at night, say–always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven’s tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula’s The Parallax View, and we’re nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does decent-enough work–the occasional bursts of “shocking action” do shock even as we know they’re coming–but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski’s The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. –Richard T. Jameson
- Title: EDGE OF DARKNESSBLU-RAY+DVD+DIGITAL
- Publisher: WARNER HOME VIDEO / Genre: ACTION/ADVENTURE / Theme: THRILLERS / Rating: R
- Product Type: VIDEO /
- Platform: BLU-RAY DISC
Rating: 
(out of 88 reviews)
A clashing of titans as Christian Bale and Mel Gibson take each other on in a battle of wits and profanity over the phone. I do not own the audio material present in this video. It is for entertainment purposes only.
Mel Gibson : 0949773344
Mel Gibson : 0949773344
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BRAVEHEART MEL GIBSON ART PRINT
 | US $24.99 End Date: Monday Sep-06-2010 11:56:06 PDT Buy It Now for only: US $24.99 Buy it now | Add to watch list |
NEW DVD: THE PATRIOT (2000) Mel Gibson
 | US $13.45 End Date: Monday Sep-06-2010 12:02:09 PDT Buy It Now for only: US $13.45 Buy it now | Add to watch list |
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Bounty
Amazon.com
Director Roger Donaldson (Thirteen Days) has breathed vibrant new life into the classic story of the mutiny on the Bounty. With a dream cast–Mel Gibson, Sir Anthony Hopkins, Sir Laurence Olivier, Liam Neeson, and Daniel Day-Lewis–and a script by Robert Bolt (Doctor Zhivago, Lawrence of Arabia), The Bounty takes a revisionist tack through the well-charted waters of an oft-told tale. Hopkins’s Captain Bligh is no raving sadist in the Charles Laughton mode. (Laughton played Bligh in the first Mutiny on the Bounty, 1935.) Instead, Sir Anthony plays Bligh as a hard-nosed imperialist explorer simply trying to get the job done in the time-honored manner: on the backs of the poor gobs under his command. Still, when Bligh’s suppressed powder keg of rage finally blows, Hopkins is formidable indeed. Mel Gibson gives one of the most soulful performances of his career as mutiny leader Fletcher Christian. He’s also at the height of his blue-eyed, buff good looks, and his romance with Tahitian maiden Mauatua (lovely Tevaite Vernette) is decidedly erotic. Liam Neeson is a veritable force of nature as the scrappy seaman Charles Churchill, and Daniel Day-Lewis is sublimely hateful as Master John Fryer, a pompous toady. With special effects to rival those of The Perfect Storm, the alluring eye candy of a tall-masted schooner under full sail, lush tropical greenery, and bevies of bodacious South Sea Islands babes, plus a gripping story line, The Bounty deserves a rescue from undeserved obscurity. –Laura Mirsky
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Payback (VHS, 2000, Special Edition) Mel Gibson
 | US $1.00 End Date: Monday Sep-06-2010 11:22:08 PDT Buy It Now for only: US $1.00 Buy it now | Add to watch list |
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Edge of Darkness
Product Description
Detective tracks down his daughter’s killer relentlessly.Amazon.com
The good news is that Edge of Darkness (no relation to the fine 1943 war picture of that name) brings back Mel Gibson in front of the camera for the first time in nearly a decade. Although he’s grown creased and leathery and his thatch has thinned, the movie star who was Mad Max still has the charisma and gravitas to center a dodgy suspense tale and propel it to the finish line. Gibson plays veteran Boston police detective Tom Craven, who welcomes home daughter Emma (Bojana Novakovic) for a rare visit, then sees her shot down at his front door. Because the gunman shouted “Craven!” and because a cop makes enemies, Tom assumes Emma took a bullet meant for him, which adds considerably to his grief and pain. But as he looks into the life of a daughter he loved yet scarcely knew, he discovers she’d been preparing to turn whistleblower on her employer, a corporation doing unsavory clandestine things for the government. Craven starts having oblique chats with a philosophical Brit named Jedburgh (Ray Winstone), who keeps turning up unexpectedly–in Craven’s backyard at night, say–always giving the distinct impression that he could just as well kill a fellow instead of schmoozing. Their strange rapport, like Craven’s tendency to mutter ironical asides as if in ongoing conversation with the departed Emma, is more intriguing than the conspiracy involving corporate skullduggery and a rogue assassination bureau. The bar for that sort of thing was set in post-Watergate days by Alan J. Pakula’s The Parallax View, and we’re nowhere near its cinematic elegance or pervasive paranoia. Edge of Darkness, based on a British miniseries from 1985, was directed by Martin Campbell, who also handled the six-hour original (and more recently the successful James Bond reboot Casino Royale). Campbell does decent-enough work–the occasional bursts of “shocking action” do shock even as we know they’re coming–but rarely exceeds generic requirements. For killing comparison among contemporary suspense films, catch Roman Polanski’s The Ghost Writer, in which every frame unsettlingly conveys a world where disquiet is the natural order of things. –Richard T. Jameson
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Edge of Darkness $17.00 – @ Amazon
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Payback (VHS, 2000, Special Edition) Mel Gibson
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Mel Gibson Ultimate Collection
Product Description
Payback – The Director’s Cut
In Brian Helgeland’s new director’s cut of the film, Mel Gibson portrays Porter, a career criminal bent on revenge after his partners in a street heist pump metal into him and take off with his $70,000 cut. Bad move, thugs. Because if you plan to double-cross Porter, you’d better make sure he’s dead. Porter resurfaces, wading into a lurid urban underworld of syndicate kingpins, cops on the take, sniveling informants and deadly gangs. Porter wants his money back. And the way he sets out to get is assures that, from beginning to heart pounding end, Payback pays off big.Amazon.com
Braveheart
Mel Gibson’s Oscar-winning 1995 Braveheart is an impassioned epic about William Wallace, the 13th-century Scottish leader of a popular revolt against England’s tyrannical Edward I (Patrick McGoohan). Gibson cannily plays Wallace as a man trying to stay out of history’s way until events force his hand, an attribute that instantly resonates with several of the actor’s best-known roles, especially Mad Max. The subsequent camaraderie and courage Wallace shares in the field with fellow warriors is pure enough and inspiring enough to bring envy to a viewer, and even as things go wrong for Wallace in the second half, the film does not easily cave in to a somber tone. One of the most impressive elements is the originality with which Gibson films battle scenes, featuring hundreds of extras wielding medieval weapons. After Eisenstein’s Alexander Nevsky, Orson Welles’s Chimes at Midnight, and even Kenneth Branagh’s Henry V, you might think there is little new that could be done in creating scenes of ancient combat; yet Gibson does it. –Tom Keogh
We Were Soldiers
Based on the book by Lt. Col. Harold Moore (ret.) and journalist Joseph Galloway, We Were Soldiers offers a dignified reminder that the Vietnam War yielded its own crop of American heroes. Departing from Hollywood’s typically cynical treatment of the war, writer-director Randall Wallace focuses on the first engagement of American soldiers with the North Vietnamese enemy in November 1965. Moore (played with colorful nuance by Mel Gibson) and nearly 400 inexperienced troopers from the U.S. Air Cavalry were surrounded by 2,000 North Vietnamese Army soldiers, and the film re-creates this brutal firefight with graphic authenticity, while telling the parallel story of grieving army wives back home. While UPI reporter Galloway (Barry Pepper) risks his life to chronicle the battle, Wallace offers a balanced (though somewhat fictionalized) perspective while eliciting laudable performances from an excellent cast. Like the best World War II dramas of the 1940s, We Were Soldiers pays tribute to brave men while avoiding the pitfalls of propaganda. –Jeff Shannon
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Mel Gibson Ultimate Collection $16.99 – @ Amazon
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Payback (VHS, 2000, Special Edition) Mel Gibson
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The Road Warrior
- World War III has just ended and the world’s remaining inhabitants are on a desperate, devastating, struggle to survive. Gasoline is in short supply and those remaining – turn on one another for the crude oil.Running Time: 95 min. Format: BLU-RAY DISC Genre: SCI-FI/FANTASY Rating: R Age: 085391142607 UPC: 085391142607 Manufacturer No: 114260
Description
World War III has just ended and the world’s remaining inhabitants are on a desperate, devastating, struggle to survive. Gasoline is in short supply and those remaining, turn on one another for the crude oil.Amazon.com essential video
A strong candidate for the designation of most thrilling action movie ever made (the turbo-charged exhilaration of its full-throttle highway chases has never been equaled), the second part of George Miller’s post-apocalyptic trilogy is also a magnificently imagined movie myth. Like the Star Wars trilogy (by that other George) the Mad Max films draw their inspiration from the works of mythologist Joseph Campbell. In the 1979 original, Max (Mel Gibson) is a policeman, the last guardian of civilization and order in a devastated world reduced to chaos. But when a leather-clad gang of sadomasochistic speed demons mows down Max’s family, his remaining connections to humanity are also permanently severed. After brutally exacting his revenge, Max wanders off into the wasteland alone, “a burned out shell of a man” who (to paraphrase The Searchers) is destined to wander forever between the winds. In The Road Warrior, Max rediscovers a sliver of his shattered humanity, and a spark of redemption, when he helps an embattled colony of pioneers fight off the savages who are after that most precious of all commodities: “guzzline.” Max is transformed into a legendary hero, just as Mel Gibson was catapulted to international movie stardom. With its final stirring images, The Road Warrior transcends its genre (whatever that may be–science fiction? Western? action adventure?) and becomes something timeless. It’s a great movie. –Jim EmersonAmazon.com
A strong candidate for the designation of most thrilling action movie ever made (the turbo-charged exhilaration of its full-throttle highway chases has never been equaled), the second part of George Miller’s post-apocalyptic trilogy is also a magnificently imagined movie myth. Like the Star Wars trilogy (by that other George) the Mad Max films draw their inspiration from the works of mythologist Joseph Campbell. In the 1979 original, Max (Mel Gibson) is a policeman, the last guardian of civilization and order in a devastated world reduced to chaos. But when a leather-clad gang of sadomasochistic speed demons mows down Max’s family, his remaining connections to humanity are also permanently severed. After brutally exacting his revenge, Max wanders off into the wasteland alone, “a burned out shell of a man” who (to paraphrase The Searchers) is destined to wander forever between the winds. In The Road Warrior, Max rediscovers a sliver of his shattered humanity, and a spark of redemption, when he helps an embattled colony of pioneers fight off the savages who are after that most precious of all commodities: “guzzline.” Max is transformed into a legendary hero, just as Mel Gibson was catapulted to international movie stardom. With its final stirring images, The Road Warrior transcends its genre (whatever that may be–science fiction? Western? action adventure?) and becomes something timeless. It’s a great movie. –Jim Emerson
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The Road Warrior $9.44 – @ Amazon
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Payback (VHS, 2000, Special Edition) Mel Gibson
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Mrs. Soffel
Product Description
MEL GIBSON AND DIANE KEATON HEADLINE THE FACT-BASED STORY OF AWARDEN’S WIFE WHO FALLS FOR A CONDEMNED MURDERER AND AIDS INHIS ESCAPE. SPECIAL FEATURES: TRAILER: CAST/DIRECTOR FILM HIGHLIGHTS: LANGUAGES: ENGLISH AND FRENCH: SUBTITLES IN ENGLISH, FRENCH, SPANISH AND PORTUGUESE.Amazon.com
An air of gothic romanticism pervades every aspect of this remarkable film, based on a true story from the turn of the 20th century. In its torrid plot, one can hear the icy restraints of the Victorian era cracking. Diane Keaton is uncannily perfect as Kate Soffel, wife of a priggish prison warden (Edward Herrmann). She’s funny and touching playing what used to be called a “neurasthenic”–a nervous, depressed woman with mysterious physical ailments. When the film opens, Kate is just recovering from a three-month-long spell, and back at work preaching to the inmates in her husband’s prison. Whom should she encounter but dangerous death row inmate Ed Biddle, in the irresistible person of Mel Gibson. The forbidden affair that blossoms between them is feverishly exciting, but the film operates on myriad other levels. Director Gillian Armstrong (My Brilliant Career) and screenwriter Ron Nyswaner (Philadelphia) have much to say about capital punishment, and about the miserable fate of women in this repressive society who dare to act on their passions. There’s nothing morally clear-cut in this movie, which is what makes it consistently fascinating. Kate and Ed’s romance is as right as it is wrong; we never really know how to feel about either of them. The film’s stunning cinematography and superb period details are exhilarating, from the towering, bleak beauty of the prison to the gorgeous panoramic chase scenes of horse-drawn sleighs in the snow. –Laura Mirsky
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Mrs. Soffel $2.76 – @ Amazon
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Payback (VHS, 2000, Special Edition) Mel Gibson
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