Nicolas Cage

postheadericon National Treasure 2 – Book of Secrets (Widescreen)


Ben Gates (Nicolas Cage) sets out to find the lost 18 pages from the diary of Abraham Lincoln’s assassin, John Wilkes Booth. One of the 18 missing pages has been discovered by Jeb Wilkinson (Ed Harris). On that page are the names of the Lincoln assassination conspirators. Thomas Gates, Ben Gates’ great-great-grandfather, is listed on the page. After discovering this, Ben does not want Thomas Gates to be remembered “as a conspirator in the assassination of the man who brought this nation together.” His quest to clear his family’s name leads to unexpected twists and turns. Agent Sadusky (Harvey Keitel) tells Ben that a secret book has the information he needs. The president’s “book of secrets” holds documents, for presidents’ eyes only, of all the nations secrets; from the truth behind the JFK conspiracy, the missing minutes from the Watergate tapes, and Area 51. When Ben’s request to see the book is denied, he says he must kidnap the president. Each clue leads him closer “to a discovery that the world isn’t ready to believe.”Less engrossing than its 2004 predecessor National Treasure, Jon Turteltaub’s busy sequel National Treasure: Book of Secrets is nevertheless a colorful and witty adventure, another race against overwhelming odds for the answer to a historical riddle. Ben Gates (Nicolas Cage), the treasure hunter who feverishly sought, in the first film, the whereabouts of a war chest hidden by America’s forefathers, is now charged with protecting family honor. When a rival (Ed Harris) offers alleged proof that Gates’ ancestor, Thomas Gates, was not a Civil War-era hero but a participant in the assassination of Abraham Lincoln, Ben and his father (Jon Voight) and crew (Justin Bartha, Diane Kruger) hopscotch through Paris, London, Washington DC, and South Dakota to gather evidence refuting the claim. The film is most fun when the hunt, as in National Treasure, squeezes Ben into such impossible situations as examining twin desks in the queen’s chambers in Buckingham Palace and the White House’s Oval Office, or kidnapping an American president (Bruce Greenwood) for a few minutes of frank talk. Helen Mirren, the previous year’s Oscar winner for Best Actress, wisely joins the cast of a likely hit film as Ben’s archaeologist mother, long-estranged from Voight’s character but as feisty as the rest of the family. Returning director Turteltaub takes excellent advantage of his colorful backdrops in European capitals and the always-eerie Mount Rushmore, and oversees some wildly imaginative sets for this dramedy’s feverish third act in an audacious and completely unexpected, legendary setting. If National Treasure: Book of Secrets doesn’t feel quite as crisp and unique as its predecessor, it is still ingenious and wry enough to laugh a bit at itself. –Tom Keogh

Stills from National Treasure: Book of Secrets (click for larger image)

Rating: (out of 331 reviews)


Coppola Family Members: Francis Ford Coppola, Nicolas Cage, Sofia Coppola, Jason Schwartzman, Talia Shire, Robert Carmine, Coppola Family Tree
Coppola Family Members: Francis Ford Coppola, Nicolas Cage, Sofia Coppola, Jason Schwartzman, Talia Shire, Robert Carmine, Coppola Family Tree
8MM (VHS, 1999) Nicolas Cage
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postheadericon Nicholas Cage Japanese Commercial – Fever Pachinko


This is the wackiest japanese commercial I’ve ever seen. This is from Japander.com Go there for other wacky japanese commercials. I personally like the Nick Cage and the Arnold commercials the best.
Video Rating: 4 / 5

The Family Man
High-powered wall street bachelor jack campbell gets the shock of a lifetime when he wakes up one morning in suburban new jersey n…
Gone in 60 Seconds (DVD, 2000) Nicolas Cage
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postheadericon Nicolas Cage watches The Wicker Man


Completely real footage of Nicolas Cage watching his performance in the remake of The Wicker Man.
Video Rating: 4 / 5



For years known as a talented but oddball actor in unconventional films, Oscar-winning Nicolas Cage is still unconventional but today is regarded as one of Hollywood’s leading men.
Nicolas Cage

Captain Corelli’s Mandolin
AN ACCLAIMED ROMANCE ABOUT A BEAUTIFUL, STRONG-WILLED GREEK WOMAN WHOSE HEART IS CAPTURED BY AN IRREPRESSIBLE ITALIAN OFFICER WITH…

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*Honeymoon in Vegas*..(VHS).Nicolas Cage*.Comedy*

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Ghost Rider (DVD, 2007, Widescreen) Nicolas Cage #P8626
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postheadericon Knowing [Blu-ray]


A college professor (Nicolas Cage) opens a time capsule that has been dug up at his son s elementary school. In it are some chilling accurate predictions of disasters… when, where, and how many will die. Most of these events must uncover the details of the next disasters in hopes of preventing them. If he fails, who knows how many will die?Nicolas Cage stars in this largely unsatisfying science-fiction tale that begins as a taut and spooky story concerning psychic legacies and ends up falling back on Steven Spielberg’s old, cosmic playbook for default explanations about weird phenomena. Cage stars as astrophysicist and widower John Koestler, whose young son attends a school where a 50-year-old time capsule is dug up and opened. Koestler’s son, Caleb (Chandler Canterbury), is given an envelope from the capsule containing a sheet of paper inscribed with seemingly-random numbers. Koestler interprets groupings of the numbers as prophesies (made in 1959) of disasters leading up to a globally catastrophic event late in 2009. Moreover, some of the later tragedies involve him or members of his family, suggesting the paper was meant to fall into his and Caleb’s hands. That’s not the only freaky thing drawing father and son in a direction they really don’t want to go. Among other things, a quartet of mute strangers keeps showing up with a powerful interest in Caleb’s whereabouts, and the daughter and granddaughter of the little girl who originally scribbled those numbers in 1959 are under the shadow of a separate prediction of doom. Everything goes swimmingly until it’s time for director Alex Proyas (The Crow) to begin tying up all the strings, and cliches start falling like rain. On the plus side, Knowing includes a couple of breathtaking scenes of calamity, the most horrifying (and realistic) of which is a jet crash the likes of which has never been committed to film. –Tom Keogh

  • ISBN13: 0025192031892
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Rating: (out of 337 reviews)


Hey, where’s that chocolate cake?? I promise I will never make anything this retarded ever again. Here’s an mp3 for the song www.newgrounds.com
Video Rating: 4 / 5



Cage-Nicolas 2010 3pk
Cage-Nicolas 2010 3pk

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The Weather Man Nicolas Cage

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Nicolas Cage signed 8x10 photo rp NYPD WTC
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postheadericon Face/Off

Product Description
Relentless fbi agent sean archer must go dangerously undercover to investigate the location of a lethal biological weapon planted by his arch rival the sadistic terrorist-for-hire castor troy. After undergoing a radical surgical procedure archer borrows troys face and identity. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: John Travolta Joan Allen Run time: 140 minutes Rating: R Director: John WooAmazon.com essential video
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo’s first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise–hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery–and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage’s tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist’s reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. –Sean Axmaker Amazon.com
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo’s first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise–hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery–and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage’s tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist’s reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. –Sean Axmaker

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postheadericon Amos & Andrew

  • ISBN13: 9780792849629
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Description
Academy AwardÂ(r) winner* Nicolas Cage (Face-Off) and OscarÂ(r) nominee** Samuel L. Jackson (Pulp Fiction) star in this action-packed comedy about a small-time crook anda Pulitzer Prize-winning playwright who bring new meaning to the term “dynamic duo!” Their wild andraucous adventures make Amos & Andrew the funniest, nuttiest, most hysterical comedy since Midnight Run! When a successful African-American author (Jackson) buys a house on an exclusive New England resort island, local law enforcement mistakes him for a thief and nearly kill him in a hilariously bungled attempt to “protect” the estate. But things go from loony to just plainwacky when the town’s Police Chief (Dabney Coleman) attempts to cover up the embarrassing details of the event by planting a convicted criminal (Cage) in the house to take the rap! *1995: Actor, Leaving Las Vegas **1994: Supporting Actor, Pulp Fiction

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postheadericon Bringing Out the Dead

Product Description
Forty-eight hours in the life of a burnt out paramedic who is haunted by the memories of people he could not save.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-AUG-2006
Media Type: DVDAmazon.com
Martin Scorsese comes home to the mean streets of New York with Bringing Out the Dead, the hyperkinetic tale of an ambulance driver (Nicolas Cage) on three sleep-deprived, adrenaline-fueled nights amongst the dead and dying of the city. Less a coherent narrative than a mood piece, the film is a welcome return to form for Scorsese, who takes Joe Connelly’s memoir and spins it into a slightly surreal, darkly comic tale of one man’s redemption. Frank Pierce (Cage) is a man who feels impotent in his job as an EMT–less a lifesaver, he’s more of a grief mop as he sardonically puts it, bearing witness to the pain and suffering of others. Haunted by the specter of a young homeless girl, something stirs in Frank when he meets Mary (Patricia Arquette), the daughter of a heart attack victim Frank attends to. In a world where human interaction usually means putting someone on a stretcher, or bantering frenetically with his coworkers, Frank seems headed for certain physical and nervous collapse.

Scorsese, screenwriter Paul Schrader (of Taxi Driver and Raging Bull), and cinematographer Robert Richardson put a vivid spin on the New York of the early 90s with amazing visual flair and keen, economical storytelling. The film practically pulses with life, and hits the perfect note of ragged exhaustion. Cage, after a recent career slump, turns in an exceptional performance, by turns manic and weary. In fact, this is one of the best casts ever assembled for a Scorsese film: in addition to the quietly effective Arquette, there are great performances by John Goodman, Ving Rhames, and Tom Sizemore as Cage’s ambulance partners, as well as Mary Beth Hurt (as an ER doctor), pop star Marc Anthony (as a drug addict), and especially Cliff Curtis (as a drug dealer who winds up in an unusual scrape). It’s not a masterpiece in the vein of Taxi Driver, but Bringing Out the Dead ranks as a stunning Scorsese joyride. –Mark Englehart

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postheadericon Snake Eyes

Product Description
An assassination attempt thrusts a detective into a murder case with 14000 potential suspects and a deadly conspiracy where nothing is what it appears to be. Studio: Paramount Home Video Release Date: 05/17/2005 Starring: Nicolas Cage Gary Sinise Run time: 98 minutes Rating: R Director: Biran De PalmaAmazon.com
Brian De Palma’s 1998 thriller is largely an exercise in airing out his orchestral, oversized visual style (think of his Blowout, Body Double, or Raising Cain) for the heck of it. The far-fetched story features Nicolas Cage as a crooked police detective attending a championship boxing match at which the Secretary of Defense is assassinated. The unfortunate Secretary’s right-hand man (Gary Sinise) happens to be Cage’s old friend, a fact that complicates the cop’s efforts to reconstruct the crime from conflicting accounts–a directorial strategy bearing similarities to Kurosawa’s Rashomon. The outrageousness of the scenario essentially gives De Palma permission to construct a baroque cathedral of spectacular camera stunts, which (he well knows) are inevitably more interesting than the hoary conspiracy plot. (The opening scene alone, which runs on for a number of minutes and consists of one, unbroken shot that moves in from the street, following Cage up and down stairs, and in and out of rooms until finally ending ringside at the match, is breathtaking.) The shifting points of view–based on the contradictory statements of witnesses–also give De Palma license to get creative with camera angles and scene rearrangements. The script bogs down in the third act, but De Palma is just revving up for a big, operatic finish that is absolutely gratuitous but undeniably impressive. Yes, it’s style over substance in Snake Eyes, but what style we’re talking about.–Tom Keogh

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postheadericon It Could Happen to You

  • ISBN13: 9780767810852
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Product Description
A COP AND A WAITRESS SHARE A TWO-MILLION DOLLAR LOTTERY TICKET. THIS WARMHEARTED COMEDY INCLUDES ADDITIONAL FOOTAGE.Amazon.com
Inspired by an actual incident, this unassuming, wonderfully good-natured romantic comedy tells the story of a New York City street cop named Charlie (Nicolas Cage) who makes a promise to a coffee-shop waitress named Yvonne (Bridget Fonda) that will change both their lives. One day after coffee, Charlie is embarrassed to discover he doesn’t have money for a tip, so he tells Yvonne that he’ll share half of his winnings if the lottery ticket he’s holding comes up a winner. Sure enough, he wins the jackpot–a whopping $4 million payoff–and Charlie’s wife, Muriel (Rosie Perez), goes ballistic when he tells her about his deal with Yvonne. From this point, It Could Happen to You follows Charlie’s dilemma as he is forced to decide the proper course of action, and director Andrew Bergman smoothly incorporates a gentle love story into this amusing crisis of conscience. Fonda and Cage have an easygoing chemistry that adds a pleasant touch to the movie’s fairy-tale plot, and the story’s kindhearted sentiment is never so thick that it becomes sticky-sweet or artificial. As feel-good comedies go, this one’s a class act. –Jeff Shannon

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postheadericon Bad Lieutenant: Port of Call New Orleans

  • ISBN13: 0687797129697
  • Condition: NEW
  • Notes: Brand New from Publisher. No Remainder Mark.

Product Description
In Werner Herzog’s new film Bad Lieutenant: Port Of Call New Orleans, Nicolas Cage plays a rogue detective who is as devoted to his job as he is to scoring drugs while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina, he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (played by Eva Mendes) and together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.Amazon.com
Director Werner Herzog’s career is a catalog of extremes, and Bad Lieutenant: Port of Call New Orleans fits in nicely. Shot in post-Katrina New Orleans (presumably so that Herzog could take advantage of an atmosphere of decay and wreckage that no production design could match), Bad Lieutenant stars Nicolas Cage as Terence McDonagh, a cop who injures his back and becomes addicted to drugs. But even before he became addicted he wasn’t a nice guy, and afterward he’s still capable of being honorable… or at least a smart cop. As his drug use and gambling spiral out of control, he doggedly pursues a drug dealer suspected of murdering a family. Anyone looking for a conventional thriller or police procedural will be baffled by Herzog’s unpredictable direction–the camera will suddenly linger on an alligator by the side of the road, for example–as well as Cage’s weird yet compelling performance, reminiscent of some of his early, off-putting acting in movies like Peggy Sue Got Married and Vampire’s Kiss. He seems disconnected from the rest of the movie (arguably like his drug-ridden character is disconnected from reality), yet perfectly in sync with Herzog’s off-kilter visions of iguanas and break-dancing souls. The tension that results between the realistic setting and Cage’s meta-performance will make some viewers recoil, but others will have a unique and possibly wrenching experience. Featuring an astonishing supporting cast, including Val Kilmer, Eva Mendes, Brad Dourif, Fairuza Balk, Jennifer Coolidge, and a wealth of other recognizable faces. –Bret Fetzer

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