The Paul Newman Collection (Harper / The Drowning Pool / The Left-Handed Gun / The Mackintosh Man / Pocket Money / Somebody Up There Likes Me / The Young Philadelphians)

Includes: Harper (1966), Drowning Pool (1975), The Left Handed Gun (1958), Pocket Money (1972), Somebody Up There Likes Me (1956), and The Young Philadelphians (1959). Paul Newman’s career slipped onto an unstoppable track with Somebody Up There Likes Me, his 1956 biopic about boxer Rocky Graziano. Of course that was his second picture, the first being the oft-joked-about bungle The Silver Chalice. Newman’s Method-y intensity and dazzling good looks brought him stardom, and his intelligence and uncommon seriousness as an actor kept his movies interesting, especially as he tackled some of the best roles of the “antihero” era–an era he helped create.
Somebody Up There Likes Me is included in The Paul Newman Collection, a bulging seven-DVD package that shakes out thusly: three late-1950s titles from the beginning of his career, one mid-sixties hit, and three lesser films of the early 1970s. It’s by no means a “best of” compilation, being limited to Warners and MGM titles, but it gives a flavor of Newman in his prime time. He got the Graziano role after James Dean died, and his performance is a very busy, post-Brando jumble of tics and mumbles. The movie holds up nicely as a boxing picture, and the location NYC shooting won an Oscar for cinematographer Joseph Ruttenberg (you can see why director Robert Wise got hired to do West Side Story after this). Sal Mineo and Steve McQueen are in the cast as Newman’s fellow j.d.s.
The Left-Handed Gun (1958), based on a teleplay by Gore Vidal, is a truly weird, compulsively watchable artifact from the psychological-Western genre. Newman plays Billy the Kid, glowering and grimacing like a rebel without a cause. It’s one of those films that has much more to do with the time it was made than the time it is set; also notable as the big-screen debut for stage and TV director Arthur Penn. The Young Philadelphians (1959) is more conventional, an entertaining soap opera about a young lawyer (Newman) with an old-money Philly name but no money, who gets burned by love and decides to connive his way to the top. Young Robert Vaughn snagged an Oscar nomination for a showy turn as an alcoholic society lad.
Harper (1966) is chockfull of kooky mid-Sixties design and Rat Pack patter (courtesy screenwriter William Goldman). But it must be said that Newman is miscast as the melancholic private eye of Ross Macdonald’s literary world, here re-imagined as a wisecracking hepcat who mugs his way through a missing-persons investigation. The supporting cast is a weird over-the-hill gang including Lauren Bacall, Janet Leigh, and Shelley Winters. That film’s hero, Lew Harper (renamed from Macdonald’s “Archer”), returned in 1976′s The Drowning Pool, a more bearable if somewhat humdrum whodunit set in New Orleans. Newman’s wife, Joanne Woodward, has a supporting part, but the picture is most notable for an early Melanie Griffith nymphet role.
Pocket Money (1972) is one of those only-in-the-seventies movies that pairs Newman with Lee Marvin in a drowsy, nearly plotless comedy. Both actors give elaborate performances: Newman plays a numbskull two-bit cattle broker who takes absolutely everything literally, and Marvin is his buddy in Mexico who signs on for an ill-considered cattle-buying job. One of the credited screenwriters is Terrence Malick, and the movie has a highly eccentric feel for language. Finally, The Mackintosh Man (1973) is one of the periodic duds that director John Huston would crank out in his otherwise starry career, with Newman as a spy on an incomprehensible case in England. The first half is a red herring, and Dominique Sanda (more recently of The Conformist) is out of depth with the English language. It’s a bleak film with a kind of grinding fascination, and the Maurice Jarre score is catchy but fatally overused. –Robert Horton
Rating:
(out of 30 reviews)
What’s my Line? Paul Newman & Joanne Woodward Panel:Arlene Francis(1907-2001),Art Linkletter(1912),Dorothy Kilgallen(1913-1965) and bennett Cerf(1898-1971).
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Paul Newman POSTER Sting Butch Cassidy Sundance Kid – 27×38
- Decorate your walls with this brand new poster.
- Easy to frame and makes a great gift too!
- Ships quickly and safely in a sturdy protective tube.
- Poster measures 27.00 by 38.00 inches
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Paul Newman POSTER Sting Butch Cassidy Sundance Kid
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Hustler
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Paul Newman shines as cocky poolroom hustler “Fast” Eddie Felson in Robert Rossen’s atmospheric adaptation of the Walter Tevis novel. Newman’s Felson is a swaggering pool shark punk who takes on the king of the poolroom, Minnesota Fats (a cool, assured Jackie Gleason in his most understated performance). After losing big and crashing into a void of self-pity, Eddie meets down-and-out Sarah (Piper Laurie in a delicate performance), an alcoholic blue blood who’s dropped into Eddie’s world of dingy bars and seedy poolrooms. Eddie regains his confidence and attracts the attention of a shifty, calculating promoter, Bert Gordon (George C. Scott at his most heartless), who offers to bring Eddie into the big money–but at what cost? Rossen brings his film to life with the easy pace of a pool game, giving his actors room to explore their characters and develop into a razor-sharp ensemble. Eugen Schüfftan earned an Academy Award for his shadowing black-and-white cinematography, as did art directors Harry Horner and Gene Callahan for their deceivingly simple set designs. Even in the daylight this film seems to be smothered by night, lit by the dim glow of a bar lamp or the overhead glare of a pool-table light, an appropriate environment for this tale of one man’s struggle with his soul and his self-esteem. Newman returned as an older, wiser, cagier Felson 25 years later in Martin Scorsese’s Color of Money. –Sean Axmaker
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Biography – Paul Newman: Hollywood’s Charming Rebel
Description
A special feature-length portrait of the legendary actor, racecar driver, political activist, and philanthropist. Newman’s face, on everything from movie posters to bottles of salad dressing, has come to represent quality and integrity. Includes clips from his most memorable films–everything from “The Hustler” to “The Road to Perdition”–and interviews with Robert Redford and director Robert Wise. DVD Features: Interactive Menus; Scene Selection
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Butch Cassidy and the Sundance Kid Poster ~ Paul Newman & Robert Redford ~ 24×36″
- Rolled mint condition
- Ships in a sturdy tube
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Butch Cassidy and the Sundance Kid Poster ~ Paul Newman & Robert Redford ~ 24×36″
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PAUL NEWMAN 8X10 B&W PHOTO
- Description: High Quality real photograph printed on Fuji Paper.
- Size: 8X10 inches
- Would look great at home or in your office!
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At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are professionally produced by our in-house team; we perfect bright vibrant colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!
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Long Hot Summer
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Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles’s better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone with the Wind manner of ’50s southern cooking, but the ending is embarrassingly compromised. The same production team would leave out the box-office concessions a few years later on Hud. A studly Newman justifies this description of his character: “I wish I was Ben Quick. He’s got the whole state of Mississippi to graze on.” –Robert Horton
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Sea Shepherd: My Fight for Whales and Seals
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Paul Newman
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Paul Newman’s best-known films, including The Hustler, Cool Hand Luke, Butch Cassidy and the Sundance Kid, The Sting, and The Color of Money, are cherished both by movie lovers and within the wider popular culture. Dan O’Brien now explores the lineage of Newman’s life. His father did not approve of his son’s acting ambitions, but Newman forged on regardless and graduated from New York’s fabled Actors Studio. He made a stunningly successful marriage with Joanne Woodward, but lost a son in tragic circumstances, and embraced political activism and good causes in later life.
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Empire Falls
- Adapted by author Richard Russo from his 2001 Pulitzer Prize winning novel, EMPIRE FALLS is a portrait of the gritty drama and human comedy that make up everyday life in blue-collar America. On a daily basis, goodhearted restaurant manager Miles Roby (Ed Harris “Glengarry Glen Ross”) tries to keep his Empire Grill going, even as the wealthy and powerful Mrs. Whiting(Joanne Woodward “Philadelphia”)
Description
Adapted by author Richard Russo from his 2001 Pulitzer Prize winning novel, EMPIRE FALLS is a portrait of the gritty drama and human comedy that make up everyday life in blue-collar America. On a daily basis, goodhearted restaurant manager Miles Roby (Ed Harris “Glengarry Glen Ross”) tries to keep his Empire Grill going, even as the wealthy and powerful Mrs. Whiting(Joanne Woodward “Philadelphia”), makes life difficult for him. If that wasn’t enough, Miles has to keep tabs on his scoundrel of a dad, Max (Paul Newman “The Color of Money”) who is always looking for trouble. But, Miles has something much bigger than just restaurant receipts and a cantankerous father on his mind-he can’t shake the ghosts of his past that keep his fate inevitably connected to Empire Falls.
DVD Features:
Audio Commentary
Featurette
Amazon.com
A frame-bursting roster of actors crowds this two-part HBO miniseries, which is nothing less than a look at America through the lens of a small New England town. Richard Russo adapted his own novel, a story of a gently depressed factory town that has always been run by the wealthiest family around (currently lorded over by matriarch Joanne Woodward). Ed Harris plays the central role, a decent, cautious man who runs a local diner and carefully negotiates the political niceties of Empire Falls; Paul Newman is his rapscallion of a father (the son is perpetually picking food out of Dad’s beard), Helen Hunt is Harris’s ex-wife, Aidan Quinn his feistier brother, and Robin Wright Penn his tragical mother seen in flashbacks.
The goal of Russo and director Fred Schepisi seems to have been fidelity to the novel, which gives the film a pleasingly relaxed pace but also a somewhat literal-minded binding. Even that doesn’t explain the general lack of tautness, or why so much of the dialogue has an awkward fit in actors’ mouths. Harris and Newman, of course, are younger and older versions of American monuments, and their sheer presence goes a long way toward making the picture work (for the premium Newman-Russo match, see Robert Benton’s sublime film of Nobody’s Fool). Most of the twists in the final reels are genuinely affecting, and the movie has the courage to end on a mild note rather than strain to tie everything up. It’s a fitting finale for an unassuming enterprise. –Robert Horton
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